LUT 6
6" LCD, Full HD 1920x1080
The LUT6 enables clear and precise field monitoring and image analysis during daytime shoots. It displays your stills and monitoring content at superior color fidelity and 1920 x 1080 maximum resolution on a 6-inch display. The panel is made of optically bonded glass with an anti-reflective coating, which allows comfortable daytime field monitoring. But what really sets it apart is its light-emitting diode (LED) backlighting, which outputs a brightness of 2600 nits and displays a 1000:1 contrast ratio and sRGB / Rec.709 Color Gamut, resulting in exceptional screen clarity even in intense lighting conditions. With the monitor displaying your content at 368 pixels per inch (PPI), you can shoot in broad daylight with confidence and refine your content on the spot. The wide 160º viewing angle makes it easy for multiple members of the crew to watch it at the same time.
Built-in HDR/De-log 3DLUT
LUT6 has built-in HLG 2020, HLG 709, HLG P3 HDR 3D LUT, and Rec709 De-slog3 LUTs, includes SLOG2, SLOG3, LOGC, VLOG. The monitor can display an HDR (high dynamic range) signal for incredible clarity and detail, simplifies the complexities of shooting Log and HDR, helping you to replicate post-production workflows at the moment when it matters most–while shooting.
Load Custom 3D LUTs to Recreate Film Looks!
Some cameras can output logarithmic colorspace to preserve the dynamic range, which is great for later post production, however when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem because they allow you to apply a "look" to the monitor so you get an idea of how the finished images will look like when editing. You could use built-in LOG to Rec.709 video or upload .cube files ( A single file must not exceed 7.9M, supports files with LUT_3D_SIZE of 16, 17, 32, 33, 64, 65.). LUT6S allows you to load internally up to 50 custom LUTs , looks or profiles at any time via the SD Card ( Support for FAT32 and NTFS) Slot and instantly select between them, maintaining creative intent, always.
2600nit Super Bright, Visible in Sunlight
The fully adjustable 2600nits screen is incredibly bright, making it perfect for shooting indoors or out. The high bright 2600nits screen is at almost 5 times the brightness of conventional field monitors, lets you shoot outdoors without reflections washing out your image. This makes it easy to see outdoors without a hood, making it easy for outdoor shooting in bright daylight!
Options On The Fly With A Single Touch
The innovative touchscreen LCD user interface provides incredible control. You can use simple tap and swipe gestures for the important monitoring functions. Scopes can be enabled via the touch screen as well as focus and exposure assist. There's also an extensive range of settings all controlled from the large LCD. Plus you can load 3D LUTs!
Designed for Every Situation
The LUT6 equips filmmakers with the benefits of a large on-camera display without making the camera set up feel cumbersome. LUT6 is packed with high end monitoring features in a small, lightweight package that can be connected to virtually any camera. The front features a large high resolution, daylight viewable LCD touchscreen, there are video connections on the left side and SD card slot on the bottom, and space for a NP-F battery on the back. The outer frame features standard 1/4" mount points on the bottom and right for attaching it to camera and rig. This design detail makes the LUT6 easy to attach to a camera and easy to share with a team member or client on set.
Simple OS, Sophisticated Shots
Our flexible OS is packed with an extensive suite of scopes, all 1-touch away and simple to use. The Video OS includes tools for focus, framing & exposure (waveform, RGB parade, vectorscope, RGB histogram, histogram, audio meter, focus peaking, zoom, zebra, false color, frame guides, safe area, etc.) along with a flexible 3D LUT implementation (use built-in LOG to Rec.709 video or upload .cube files), HDR monitoring and options for anamorphic de-squeeze monitoring.
True Color · Professional Color Calibration
Use Rec.709 color standard
FEELWORLD uses the professional Rec.709 HD color standard, and uses the color calibration technology, with the professional instrument calibration at the factory, it can achieve monitor calibration efficiently and get accurate color reproduction easily, do not distort the color, show the real image when you shooting video.
Accurate Color Reproduction
FEELWORLD monitor support ITU standards and HD video Rec.709 standard consistent color space, advanced image processing technology, so that the image clearly presented, the color is extremely natural, to ensure accurate color reproduction, to reproduce the physical nature of shooting, enabling users to accurately evaluate the quality of various input video signals.
Video Analysis Assistant Pattern
Waveform / Vector scope / Histogram
Waveform
This essential feature assists with the calibration of professional video cameras. It shows the overall brightness of the image assisting the video professional in correcting exposure. The waveform feature also checks the evenness of the lighting when lighting a chromakey or background.
Vectorscope
Vector scope shows how saturated the image is and where the pixels in the image land on the color spectrum. It can also be displayed in various sizes & positions, that allows users to monitor color gamut range in real time.
RGB Histogram
RGB histogram is a graphical display of the distribution of tones, shows the Red, Green and Blue channels histograms. Suitable for HD-SDI and HDMI signal monitoring.
Anamorphic Mode
Built-in selection of no squeeze, 1.25x, 1.33x, 1.5x, 2.0x or 2.0x mag allows you to use anamorphic lenses or adapters and see the image unsqueezed, even if your camera does not de-squeeze in camera.
Ratio Marker
There are a variety of ratio marker (16:9, 16:10, 4:3, 1.85:1, 2.35:1); the transparency of the ratio marker has 4 display effects optional (0%, 25%, 50%, 75%). You can switch the marker colors between yellow, red, green, blue, white and black according to different tone of the subject.
User LUT Cube Import
Provides S-log2/3, V-log, Log-C etc, to convert log mode to REC709 for all major cameras. The LUT loading function makes the color calibration work of the previous shooting easier and more intuitive, optimizes the workflow and improves work efficiency. User creative 3D LUT cube or calibration 3D LUT cube can be uploaded to monitor by SD card.
Support Touch Screen and Button Control Menu
You can also get a quick glance at your menu settings and features with an easy tap on the screen. It also supports physical buttons control. Tap/Rotate the wheel button for quick selection and function settings. Tap the power switch to turn off the touch function, designed to prevent misuse.
Touch Screen Operating Instruction
Long press to turn on and off the power; short press to turn on and off the screen touch function.
1. When the monitor and touch are both on, continuously click the screen twice to enter the main menu.
2. Swipe up from the bottom of the screen to open the shortcut menu and click on the corresponding menu to open or set the corresponding function. Double-click the shortcut menu function and select the function setting with the "<" or ">" key.
3. On the left side of the screen (1/2 split screen), you can directly adjust the brightness of the screen backlight; on the right side of the screen (1/2 split screen), you can directly adjust the volume.
4. Click any space beside menu to exit the menu.
Connect to Consumer or DSLR Camera
With 4K HDMI inputs, you can connect it to consumer camera or DSLR camera. You also get loop thru outputs, so you can display live video or expand display on external screens or projectors with embedded audio. You can also monitor audio using the 3.5mm stereo headphone jack. For power, there's a 12V DC input and one NP-F battery slots. The back of the monitor have the fan that automatic heat dissipation according to backlight brightness. Under "auto", if the backlight brightness is greater than 80, the fan will turn on automatically.
Check the monitor support formats whether can work with your camera
4K HDMI Loop-out
The LUT6 has 4K HDMI in and loop-out, allowing it to not only display live signals, but also send them out to other monitors simultaneously. It's the ability to display live picture on multiple displays at once while still maintaining the original video quality.
Connect to Wireless Transmitter
Transmission to film crew director monitoring at the same time. Without the cable more flexible to transition between scenes effortlessly for outdoor shooting.
Connect to Director Monitor
Display live picture on multiple displays simultaneously.
Power Your DSLR or Mirrorless Camera
The LUT6 is an ideal camera-top monitor for DSLR and mirrorless camera shooters. Because the LUT6 provides auxiliary power out; allowing shooters to power their cameras. With a battery adapter cable (Optional), the LUT6 extends camera run-time, while providing a more usable display.
Attach to Cameras, Equipment Carts or Hang It Anywhere
The standard sized mounting points make it easy to mount and are compatible with third party rigging equipment. There are 2 mounting points located on the bottom and right. Using the bottom 1⁄4 inch hole, you can securely attach it to the top of your camera as the ultimate viewfinder! The 1⁄4-inch holes on the right sides can be mounted on other equipment with magic arm, bracket, etc., for the entire crew to monitor the screen.
Convenient Mounting - Tilt Arm
Every LUT6 monitor will ship with a cold shoe mounted Tilt Arm. Shooters will have a secure way to position their monitor while maintaining a low profile.
•The LUT6 monitor can be rotated 360 degree with two different ways, for viewing convenience. (1.The monitor can be rotated 360 degree from up to down through the side mounting point of tilt arm; 2. The monitor can be rotated 360 degree from left to right through the bottom mounting point of tilt arm).
• Secure and lightweight mounting via shoe mount or 1/4"-20 thread
• Includes a shoe mount of its own for accessories like a microphone, LED light, or wireless receiver, etc.
• There are two small dots on the tilt arm, which are aligned with the monitor for installation, the connection is more stable, just grab the monitor to rotate without loosening the screws.
Flexible Power Supply mode
There is a battery slot on the rear side of the monitor, which can be installed with standard Sony L series batteries to provide long-lasting power for your bright screen! A 12V 3A universal power supply is included for studio or on location use
● Compatible Sony Battery: F970 F960 F950 F930 F770 F750 F730 F570 F550 F530 QM91D QM91 QM90D QM90 QM71D QM71 QM70D QM70 QM51D QM51 FM71 FM70 series LUT6S monitor have 2600nit bright, power consumption is greater than normal brightness monitors, we recommend you use the Sony F970 battery to power monitor. Used the F970 battery (7.4V 6600mah), the monitor can working about 3 hours. Note: Different specifications of the battery have different capability. The working time for the monitor will be different. Higher capability (working time) will be longer.
6" LCD, Full HD 1920x1080
The LUT6S enables clear and precise field monitoring and image analysis during daytime shoots. It displays your stills and monitoring content at superior color fidelity and 1920 x 1080 maximum resolution on a 6-inch display. The panel is made of optically bonded glass with an anti-reflective coating, which allows comfortable daytime field monitoring. But what really sets it apart is its light-emitting diode (LED) backlighting, which outputs a brightness of 2600 nits and displays a 1000:1 contrast ratio and sRGB / Rec.709 Color Gamut, resulting in exceptional screen clarity even in intense lighting conditions. With the monitor displaying your content at 368 pixels per inch (PPI), you can shoot in broad daylight with confidence and refine your content on the spot. The wide 160º viewing angle makes it easy for multiple members of the crew to watch it at the same time.
2600nit Super Bright, Visible in Sunlight
The fully adjustable 2600nits screen is incredibly bright, making it perfect for shooting indoors or out. The high bright 2600nits screen is at almost 5 times the brightness of conventional field monitors, lets you shoot outdoors without reflections washing out your image. This makes it easy to see outdoors without a hood, making it easy for outdoor shooting in bright daylight!
Options On The Fly With A Single Touch
The innovative touchscreen LCD user interface provides incredible control. You can uses simple tap and swipe gestures for the important monitoring functions. Scopes can be enabled via the touch screen as well as focus and exposure assist. There's also an extensive range of settings all controlled from the large LCD. Plus you can load 3D LUTs!
Designed for Every Shooting Situation
The LUT6S equips filmmakers with the benefits of a large on-camera display without making the camera setting up troublesome. LUT6S is packed with high end monitoring features in a small, lightweight package that can be connected to virtually any camera. The front features a large high resolution, daylight viewable LCD touchscreen, there are video connections on the left side and SD card slot on the bottom, and space for a NP-F battery on the back. The outer frame features standard ¼" mount points on the bottom and right for attaching it to cameras and rigs. This design detail makes the LUT6S easy to attach to a camera and easy to share with a team member or client on set.
Built-in HDR / De-log 3D LUT, 3G-SDI Support 3D LUT Output
LUT6S has built-in HLG 2020, HLG 709, HLG P3 HDR 3D LUT, and Rec709 De-slog3 LUTs, includes SLOG2, SLOG3, LOGC, VLOG. The LUT6S support output custom LUT image output, display an HDR (high dynamic range) signal for incredible clarity and detail, simplifies the complexities of shooting Log and HDR, helping you to replicate post-production workflows at the moment when it matters most–while shooting.
Load Custom 3D LUTs to Recreate Film Looks!
Some cameras can output logarithmic colorspace to preserve the dynamic range, which is great for later post production, however when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem because they allow you to apply a "look" to the monitor so you get an idea of how the finished images will look like when editing. You could use built-in LOG to Rec.709 video or upload .cube files( A single file must not exceed 7.9M, supports files with LUT_3D_SIZE of 16, 17, 32, 33, 64, 65). LUT6S allows you to load internally up to 50 custom LUTs , looks or profiles at any time via the SD Card ( Support for FAT32 and NTFS) Slot and instantly select between them, maintaining creative intent, always.
Accurate waveform monitoring
When you need to analyze image quality more accurately than simply looking at the picture then use LUT6S's built in waveform monitoring! Choose from waveform (RGB Parade, YUV Parade, Y Parade), vectorscope, histogram and audio phase and level displays, and get broadcast accurate waveform monitoring that shows everything you need to know technically about your video and audio signals. The functions can be opened separately, and also support one key to open all scope mode. LUT6S is perfect for live production monitoring and removes the need for separate expensive scopes!
Support Touch Screen and Button Control Menu
You can also get a quick glance at your menu settings and features with an easy tap on the screen. It also supports physical buttons control. Tap/Rotate the wheel button for quick selection and function settings. Tap the power switch to turn off the touch function, designed to prevent misuse.
Touch Screen Operating Instruction
Long press to turn on and off the power; short press to turn on and off the screen touch function.
1. When the monitor and touch are both on, continuously click the screen twice to enter the main menu.
2. Slip the fingure from the bottom of the screen to enter the shortcut menu. Double-click the shortcut menu function, through the menu box "<" or ">" button, you can customize the function settings.
3. On the left side of the screen (1/2 split screen), you can directly adjust the brightness of the screen backlight; on the right side of the screen (1/2 split screen), you can directly adjust the volume.
4. Click any space beside menu to exit the menu.
LUT 6S
Simple OS, Sophisticated Shots
Our flexible OS is packed with an extensive suite of scopes, all operations can be done by light touching. The Video OS includes tools for focus, framing & exposure (waveform, RGB parade, vectorscope, RGB histogram, histogram, audio meter, focus peaking, zoom, zebra, false color, frame guides, safe area, etc.) along with a flexible 3D LUT load tool (use built-in LOG to Rec.709 video or upload .cube files), HDR monitoring and options for anamorphic de-squeeze monitoring.
True Color · Professional Color Calibration
Use Rec.709 color standard
FEELWORLD uses the professional Rec.709 HD color standard, and uses the color calibration technology, with the professional instrument calibration at the factory, it can achieve monitor calibration efficiently and get accurate color reproduction easily, do not distort the color, show the real image when you shooting video.
Accurate Color Reproduction
FEELWORLD monitor support ITU standards and HD video Rec.709 standard consistent color space, advanced image processing technology, so that the image clearly presented, the color is extremely natural, to ensure accurate color reproduction, to reproduce the physical nature of shooting, enabling users to accurately evaluate the quality of various input video signals.
Video Analysis Assistant Pattern
Waveform / Vector scope / Histogram
Waveform
This essential feature assists with the calibration of professional video cameras. It shows the overall brightness of the image assisting the video professional in correcting exposure. The waveform feature also checks the evenness of the lighting when lighting a chromakey or background.
RGB Histogram
RGB histogram is a graphical display of the distribution of tones, shows the Red, Green and Blue channels histograms. Suitable for HD-SDI and HDMI signal monitoring.
Anamorphic Mode
Built-in selection of no squeeze, 1.25x, 1.33x, 1.5x, 2.0x or 2.0x mag allows you to use anamorphic lenses or adapters and see the image unsqueezed, even if your camera does not de-squeeze in camera.
Ratio Marker
There are a variety of ratio marker (16:9, 16:10, 4:3, 1.85:1, 2.35:1); the transparency of the ratio marker has 4 display effects optional (0%, 25%, 50%, 75%). You can switch the marker colors between yellow, red, green, blue, white and black according to different tone of the subject.
Connect to Professional Cameras, Camcorders and DSLR's
With both 3G-SDI and 4K HDMI inputs you can connect it to any consumer camera, broadcast camera or even DSLR cameras. You also get loop thru outputs, so you can display live video or expand display on external screens or projectors with embedded audio. You can also monitor audio using the 3.5mm stereo headphone jack. For power, there's a 12V DC input and one NP-F battery slot.The back of the monitor have the fan that automatic heat dissipation according to backlight brightness. Under "auto", if the backlight brightness is greater than 80, the fan will turn on automatically.
3G-SDI and 4K HDMI Loop-out
The LUT6S has 3G-SDI, 4K HDMI in and loop-out, allowing it to not only display live signals, but also send them out to other monitors simultaneously. It's the ability to display live picture on multiple displays at once while still maintaining the original video quality.
Connect to Wireless Transmitter
Transmission to film crew director monitoring at the same time. Without the cable more flexible to transition between scenes effortlessly for outdoor shooting.
Connect to Director Monitor
Display live picture on multiple displays simultaneously.
Power Your DSLR or Mirrorless Camera
The LUT6S is an ideal camera-top monitor for DSLR and mirrorless camera shooters. Because the LUT6S provides auxiliary power out; allowing shooters to power their cameras. With a battery adapter cable (Optional), the LUT6S extends camera run-time, while providing a more usable display.
Attach to Cameras, Equipment Carts or Hang It Anywhere
The standard sized mounting points make it easy to mount and are compatible with third party rigging equipment. There are 2 mounting points located on the bottom and right. Using the bottom 1⁄4 inch hole, you can securely attach it to the top of your camera as the ultimate viewfinder! The 1⁄4-inch hole on the right side can be mounted on other equipment with magic arm, bracket, etc., for the entire crew to monitor the screen.
Convenient Mounting - Tilt Arm
Every LUT6S monitor will ship with a cold shoe mounted Tilt Arm. Shooters will have a secure way to position their monitor while maintaining a low profile.
•The LUT6S monitor can be rotated 360°with two different ways, for viewing convenience. (1.The monitor can be rotated 360°from up to down through the side mounting point of tilt arm; 2. The monitor can be rotated 360°from left to right through the bottom mounting point of tilt arm).
• Secure and lightweight mounting via shoe mount or 1/4"-20 thread
• Includes a shoe mount of its own for accessories like a microphone, LED light, or wireless receiver, etc.
• There are two small dots on the tilt arm, which are aligned with the monitor for installation, the connection is more stable, just grab the monitor to rotate without loosening the screws.
Flexible Power Supply mode
There is a battery slot on the rear side of the monitor, which can be installed with standard Sony L series batteries to provide long-lasting power for your bright screen! A 12V 3A universal power supply is included for studio or on location use.
● Compatible Sony Battery: F970 F960 F950 F930 F770 F750 F730 F570 F550 F530 QM91D QM91 QM90D QM90 QM71D QM71 QM70D QM70 QM51D QM51 FM71 FM70 series.
